Clown You Can’t Put A Crown On A Clown And Expect A King Shirt
Clowning was a general feature of the acts of medieval minstrels and jugglers, but the clown did not emerge as a professional comic actor until the late Middle Ages, when traveling entertainers sought to imitate the antics of the court jesters and the amateur fool societies, such as the Enfants san Souci, who specialized in comic drama at festival times. The traveling companies of the Italian commedia dell’arte developed one of the most famous and durable clowns of all time, the Arlecchino, or Harlequin, some time in the latter half of the 16th century, spreading his fame throughout Europe. The Harlequin began as a comic valet, or zany, but soon developed into an acrobatic trickster, wearing a black domino mask and carrying a bat or noisy slapstick, with which he frequently belaboured the posteriors of his victims.
Clown You Can’t Put A Crown On A Clown And Expect A King Shirt
The English clown was descended from the Vice character of the medieval mystery plays, a buffoon and prankster who could sometimes deceive even the Devil. Among the first professional stage clowns were the famous William Kempe and Robert Armin, both of whom were connected with Shakespeare’s company. Traveling English actors of the 17th century were responsible for the introduction of stage clowns to Germany, among them such popular characters as Pickelherring, who remained a German favourite until the 19th century. Pickelherring and his confederates wore clown costumes that have hardly changed to this day: oversized shoes, waistcoats, and hats, with giant ruffs around their necks.The traditional whiteface makeup of the clown is said to have been introduced with the character of Pierrot (or Pedrolino), the French clown with a bald head and flour-whitened face who first appeared during the latter part of the 17th century.