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After his use of Skull death night 3D hoodie hyphenated compounds in Pierre, Melville’s writing gives Berthoff the impression of becoming less exploratory and less provocative in his choices of words and phrases. Instead of providing a lead into possible meanings and openings-out of the material in hand, the vocabulary now served “to crystallize governing impressions, the diction no longer attracted attention to itself, except as an effort at exact definition. The language, Berthoff continues, reflects a “controlling intelligence, of right judgment and completed understanding The sense of free inquiry and exploration which infused his earlier writing and accounted for its “rare force and expansiveness, tended to give way to “static enumeration”. By comparison to the verbal music and kinetic energy of Moby-Dick, Melville’s subsequent writings seem “relatively muted, even withheld” in his later works.
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Early critics were not sympathetic. Skull death night 3D hoodie Henry Chapin, in his Introduction to one of the earliest selections of Melville’s poetry, John Marr and Other Poems (1922), said Melville’s verse is “of an amateurish and uneven quality” but in it “that loveable freshness of personality, which his philosophical dejection never quenched, is everywhere in evidence,” in “the voice of a true poet”. The poet and novelist Robert Penn Warren became a champion of Melville as a great American poet and issued a selection of Melville’s poetry in 1971 prefaced by an admiring critical essay. In the 1990s critic Lawrence Buell argued that Melville “is justly said to be nineteenth-century America’s leading poet after Whitman and Dickinson. and Helen Vendler remarked of Clarel: “What it cost Melville to write this poem makes us pause, reading it. Alone, it is enough to win him, as a poet, what he called ‘the belated funeral flower of fame’. Some critics now place him as the first modernist poet in the United States while others assert that his work more strongly suggests what today would be a postmodern view.
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