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Whatever just wash your hands poster

People can be said to love an object, principle, or goal to which they are deeply committed and greatly value. For example, compassionate outreach and volunteer workers’ “love” of their cause may sometimes be born not of interpersonal love but impersonal love, altruism, and strong spiritual or political convictions. People can also “love” material objects, animals, or activities if they invest themselves in bonding or otherwise identifying with those things. If sexual passion is also involved, then this feeling is called paraphilia. A common principle that people say they love is life itself. Biological models of sex tend to view love as a mammalian drive, much like hunger or thirst. Helen Fisher, an anthropologist and human behavior researcher, divides Whatever just wash your hands poster the experience of love into three partly overlapping stages: lust, attraction, and attachment. Lust is the feeling of sexual desire; romantic attraction determines what partners mates find attractive and pursue, conserving time and energy by choosing; and attachment involves sharing a home, parental duties, mutual defense, and in humans involves feelings of safety and security. Three distinct neural circuitries, including neurotransmitters, and three behavioral patterns, are associated with these three romantic styles

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At least two instruments called “guitars” were in use in Spain by 1200: the guitarra latina and the so-called guitarra morisca . The guitarra morisca had a rounded back, wide fingerboard, and several sound holes. The guitarra Latina had a single sound hole and a narrower neck. By the 14th century the qualifiers “moresca” or “morisca” and “latina” had been dropped, and these two cordophones were simply referred to as guitars The Spanish vihuela, called in Italian the “viola da mano”, a guitar-like instrument of the 15th and 16th centuries, is widely considered to have been the single most important influence in the development of the baroque guitar. It had six courses , lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist. It was also larger than the contemporary four-course guitars. By the 16th century, the vihuela’s construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course guitars. The vihuela enjoyed only a relatively short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in 1576.

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